Issue 37 - Contents

Jilke Golbach visits Haven, Sem Langendijk’s current exhibition at Foam Amsterdam, the Netherlands, and leaves wishing for more fruitful avenues of critique via a deeper dive into what sustains squatter communities, in the process asking: what can photography uncover when we look closely, and listen carefully alongside?

Arko Datto speaks with Willemijn van der Zwaan about Kings of a Bereft Land currently on display at Fotomuseum Den Haag, the Netherlands. They discuss the challenges of portraying the psychological effects of the ongoing planetary crisis, creating hyper-structures for multiple projects and the fundamental role of the artist in altering perception and shifting viewpoints by proposing new ways of seeing.

With 125 galleries from over 50 cities, the eighth edition of Photo London proves that amidst the emergence of ‘disruptive’ new technologies, the miracle of the darkroom is as alive today as it has ever been. Here are five standout displays selected by Alex Merola.

In response to Oliver Frank Chanarin’s new exhibition at FORMAT23, Mark Durden argues that the artist’s conceptual trick of revealing the printing process is a means of vivifying a conventional photographic portrait practice and chimes with the project’s quirky index of Britishness.

Currently on display at Centre for Contemporary Photography in Melbourne/Naarm, Lisa Sorgini’s Behind Glass comprises family portraits marked by art historical readings and an attempt to provoke discussion on the lack of awareness surrounding the relationships between children and mothers, as well as the messy realities of mothering and care, argues Catlin Langford.

Conohar Scott posits that Gideon Mendel’s outdoor exhibition at the Soho Photography Quarter provides a much-needed counterpoint to the iridescent spectacle of the solitary iceberg, which, upon further observation, is divorced from the broader socio-ecological context of climate change.

Book Review

Top 10

Photobooks of 2022

Selected by Alex Merola

Features

How to work better

Nadine Wietlisbach

Director at Fotomuseum Winterthur