Issue 23 - Table of Contents
The Modern Spirit is Vivisective
Gerry Badger on a meditation in images and text upon the process of studying human anatomy that combines vernacular photographs of old anatomy lessons with illustrations from Renaissance manuals, sprinkled with scientific, literary, and philosophical quotations.
Black is the Day Black is the Night
Daniel C. Blight considers the concept of prison time in relation to the personal identity of seven male prisoners in separate American penitentiaries, with whom the artist Amy Elkins exchanged letters to visualise a very specific kind of confined remembering.
Alex & Me
James Pfaff’s Alex & Me is a remarkable story of broken love and a road trip that opens up the possibility of alimenting, appropriating and recreating the past. In her essay Natasha Christia reflects on this continuous real-time narrative of a life shared via a living book-object.
A House Without a Roof
A negotiation of personal memories and mythologies, Adam Golfer’s new body of work reflects a desire to connect the imagined narratives that echo back through such places as Lithuania, Latvia, Germany, Israel, and Palestine - in particular, to trace the histories of violence and displacement that link them. Accompanied by an essay from Janna Dyk.
Out of the Blue
Greg Hobson sits down with Virginie Rebetez on the occasion of her recently released photobook with Meta/Books, entitled Out of the Blue, which focuses on the unsolved disappearance of Suzanne Gloria Lyall. They discuss the manner in which a material identity can be created photographically for someone who has become invisible.
Saydnaya: Inside a Syrian Torture Prison
Duncan Wooldridge on Forensic Architecture’s extraordinary Saydnaya: Inside a Syrian Torture Prison, heralding new expanded strategies of documentary practice, interlinking modes of ‘witnessing’ with analytical research, whilst providing real, juridical evidence.
Photobooks of 2016
Selected by Tim Clark
1000 Words is a quarterly online magazine dedicated to contemporary photography in the UK and beyond. It commissions and publishes in-depth exhibition and photobook reviews, essays, interviews and multimedia in response to carefully selected imagery, often around a particular theme. Founded in 2008 by Tim Clark, the editorial commitment has always been to explore the limits and possibilities of the medium whilst stimulating debate around its current practices and discourses.